1. Is there music that defies its time and circumstances?
2. Is it possible to have a synthesis of the popular and the avant garde?
3. What kind of music does Adorno like?
4. Why does Adorno refer to general consciousness and could he be exclusionary by doing this?
5. How does Adorno compare to Nietzsche?
6. What is today’s version of Adorno’s “radio”? What new material conditions (e.g. internet, smart phones) complement or complicate Adorno’s argument?
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