Adornono

Whatever my enigmatic feelings about Adorno may be, his analysis of jazz music through a sort of Freudian lens made me think about that weirdly sexual scene in Who Framed Roger Rabbit. You know, the one with Jessica Rabbit singing in the night club. Anywho, it's not the same uptempo jazz Adorno's whining about on pages 151-2, but I think it's really relevant in a weird way.